Show Tunes
Posted by admin on 26th September 2011 in music
Acoustic Guitar Tuning
Acoustic guitar tuning is an essential part of any musician’s life. Guitars have a tendency of getting detuned which affects the sound quality. The best solution to this is to tune the guitar with the help of a tuning device that can turn the detuned strings of the guitar into producing a sound that is beautiful and lyrical. There are several methods of employing tuning in an acoustic guitar, depending on the kind of sound the musician wishes to produce. Most strings are tuned from the thickest to the thinnest. This kind of tuning is used mostly because it is the finest and easiest method employed for fingering numerous chords and scales.
Steps for Acoustic Guitar Tuning
There are many tuners available in the market today to assist in acoustic guitar tuning. These are available mainly because there are very few musicians who can recognize the sound of each string and tune it accordingly. The result is that the tuner helps the amateur ear from creating the wrong sound by correcting their tuning for them. The acoustic guitar tuning is corrected according to the instrument, once the right note is hit, the tuner blinks to display that the tuning is correct. Most tuning is done from thinnest to thickest string.
Things to Note in Acoustic Guitar Tuning
There are some steps that are important to note while tuning an acoustic guitar. This first is the tuning of the string E. This is the thickest string which makes it the most difficult to detune. Also, other instruments can also be tuned with the same steps that are employed for acoustic guitar tuning. Thus, music instruments like the piano can also be tuned once the proper methods of tuning the acoustic guitar are learned. The idea is to get the best sound, no matter what the instrument.
Precautions while Acoustic Guitar Tuning
There are certain precautions which need to be taken for acoustic guitar tuning. The size and material of the strings are important while tuning the guitar. Each kind of string and its length affect the tuning methods that are employed for the instrument. Also, guitar tuning is affected when the musicians are unable to stretch the string before it is used. The string itself must be tuned before it is attached to the guitar to give an optimum sound. With these safety measures employed, acoustic guitar tuning becomes an easy task
About the Author
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Julie Andrews Sings Showtunes
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CD of 53 TV Theme Songs from Western / Cowboy Television Shows from 1950s, 1960s $8.00 This is a CD of 53 Western TV Theme Songs from the 1950s and 60s that will play on your CD player, in your car or truck, on your DVD Player/TV, or on your computer. This is basically every western show that was on tv during those years. |
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Westland Giftware Looney Tunes Magnetic Taz in Love Salt and Pepper Shaker Set, 4-Inch $11.98 Taz is in love ! This cute salt and pepper shaker set will add a little humor to mealtime. Taz and his girlfriend have are simply smitten and also ready to add some zest to your favorite foods ! They are even magnetized. A terrific gift for your favorite Looney Tunes fan or collector…. |
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(11×12) Looney Tunes 16-Month 2012 Calendar $11.45 (11×12) Looney Tunes 16-Month 2012 Calendar… |
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Someone To Watch Over Me $5.94 BOYLE SUSAN SOMEONE TO WATCH OVER ME… |
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Wicked (2003 Original Broadway Cast) $10.60 One of the most common complaints about musicals is that the books are flimsy pretexts from which to hang numbers. Wicked runs into the opposite problem: it has a great plot, but too often the songs just get in the way. Based on Gregory Maguire’s novel of the same name, Wicked tells us what happened between Glinda the Good and Elphaba, the Wicked Witch of the West, before Dorothy showed up in Oz. … |
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Looney Tunes – Golden Collection $25.99 LOONEY TUNES:GOLDEN COLLECTION VOL 1 – DVD Movie… |
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I Dream Of Jesus $1.99 … |
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Easter Yeggs / Wabbit Twouble $1.99 … |
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Haley’s Comet $0.99 … |
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Ruby’s Home Run/Ruby’s Missing Tune/Ruby’s Handstand $1.99 … |
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#1′s: The Warner Brothers Years $11.99 There are a couple of statistics in the late Conway Twitty’s career that are rather astonishing: the first is that he scored 52 number one hits in the 30 years between 1958 and 1988. Just how astonishing can be illustrated this way: 52 number ones is more than the Beatles, more than Elvis Presley, and more than Frank Sinatra. The second — and what might appear minor in comparison but is actually more so — is that ten of them were between 1982 and 1988, near the end of his major-label recording career for Warner Bros. Twitty scored during every major change in the music, from honky tonk to countrypolitan to outlaw to urban cowboy to the dawn of the new traditionalist era. The true influence of Twitty has yet to be recognized, but he was a major player when country music was at its most invisible. In fact, it can be said that Conway was countrypolitan and made the whole mess cross over into the mainstream for the very first time. These ten tracks do not measure Twitty’s best work. But they do show he could sing any kind of song and put enough behind it to make it utterly believable. These ten tunes do contain a few real treasures, such as “I Don’t Know a Thing About Love (The Moon Song)” by Harlan Howard and the smash “Slow Hand” (that scored big for the Pointer Sisters in 1981, before Twitty cut it and remade it in his own image). Also here, from the Warner period, Twitty had the audacity to cut Amanda McBroom’s “The Rose,” a career-defining moment for Bette Midler as the title track for the 1979 film she starred in. The final number here, something written especially for Twitty, is “The Clown,” a ballad that showcases that rough but utterly tender baritone for all it’s worth. Conway Twitty was among the greatest singles artists in popular music history, and this collection is only a small sliver of the proof of that. ~ Thom Jurek, Rovi |
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‘Round Midnight $16.98 Of all the string instruments, the cello is the one that is most self-sufficient when heard en masse. Villa-Lobos knew it — his “Bachianas Brasileiras Nos. 1 and 5″ are the results — and The 12 Cellists of the Berlin Philharmonic have been proving it for some 30 years before the release of this album of American music of several stripes. No one needs to be told that this is a crossover special; after all, it has been released as a joint EMI Classics/Blue Note project. But this is no rah-rah album of patriotic pieties, for the CD explores the dark side of “America” as well as its soul-lifting show tunes, spirituals, and jazz tunes. Using all kinds of extended techniques that prod and scrape at the instruments, the opening “Caravan” sounds truly dangerous, capturing the dissonant strands that stick out of the Ellington 78 of the 1940s and have seldom been heard since. Bob Brookmeyer, the jazz trombonist/arranger/composer, surprises us all with “Amerika 2002: In Memoriam,” a troubled two-part meditation on the state of the union, inspired by the events of September 11. On the other hand, Leonard Bernstein’s “America” is turned into a neo-classical piece, while the “Pink Panther” theme emerges remarkably unchanged in its essential sneakiness. In what turned out to be the album’s principal coup, the cellists managed to persuade their new chief conductor, Sir Simon Rattle, to supply the “rap” for Sergio Cardenas’ hilarious “The Flower Is A Key (A Rap For Mozart).” Rattle obliges with his deep, mischievous Liverpudlian accent, putting his stamp on an album which serves notice that the tenures of Herbert von Karajan and Claudio Abbado at the Berlin Phil are going to look awfully stodgy in comparison to the Rattle era. ~ Richard S. Ginell, Rovi |
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10 Great Show Duets $26.61 New – Also included are full demonstration tracks sung by professional West End singers to help you perfect your performance. This show tunes edition includes a variety of classic love and comedy duets. such as “I’ll Know” (Guys And Dolls), “Sun And Moon” (Miss Saigon), “Money, Money” (Cabaret) and 7 other carefully selected songs to help develop your vocal style. |
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100 Graded Clarinet Solos (Dip in) $23.27 New – Each piece includes chord symbols in the concert key and is graded according to difficulty. Dip in to this phenomenal selection of popular songs, film themes, classical pieces and show tunes. This work includes songs such as: “Always On My Mind” by Elvis; “Angie” by Rolling Stones; “Bridge Over Troubled Water” by Paul Simon; “Dancing Queen” by Abba; “Don’t Know Why” by Norah Jones; “Good Vibrations” by The Beach Boys; “I Believe I Can Fly” by R. Kelly; “I Will Always Love You” by Whitney H |
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100 of the Best Show Tunes Ever!: Arranged for Piano, Voice and Guitar $32.18 Used – This work is a great selection of 100 of the best show songs ever, especially arranged for piano, voice and guitar. Featuring fabulous songs from your favourite shows including: “South Pacific”, “Phantom Of The Opera”, “Joseph And The Amazing Technicolor Dreamcoat”, “Miss Saigon”, “Aida”, “Oklahoma!”, “Les Miserables”, “Wicked”, “Godspell”, “Beauty And The Beast”, and many more! The songs include: “Cabaret”/”Cabaret”; “Luck Be A Lady”/”Guys & Dolls”; “Seasons Of Love”/”Rent”; “Getting To |
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100 of the Best Show Tunes Ever!: Arranged for Piano, Voice and Guitar $32.18 New – This work is a great selection of 100 of the best show songs ever, especially arranged for piano, voice and guitar. Featuring fabulous songs from your favourite shows including: “South Pacific”, “Phantom Of The Opera”, “Joseph And The Amazing Technicolor Dreamcoat”, “Miss Saigon”, “Aida”, “Oklahoma!”, “Les Miserables”, “Wicked”, “Godspell”, “Beauty And The Beast”, and many more! The songs include: “Cabaret”/”Cabaret”; “Luck Be A Lady”/”Guys & Dolls”; “Seasons Of Love”/”Rent”; “Getting |
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1000 Years of Popular Music $28.98 As the year 2000 loomed on the horizon, Playboy Magazine took it upon itself to ask a number of leading musicians to name the greatest songs of the soon-to-be-completed millennium. One of the musos queried was Richard Thompson, and while many of his comrades couldn’t be bothered to go further back than 1940 in their overview of musical history, the scholarly Thompson took the notion seriously enough to extend his own list of notable songs as far back as 1068 A.D. While Playboy never ended up printing Thompson’s list, the notion made enough of an impression on him that he put together a special show in which he guided his audience through his own version of the greatest hits of the past ten centuries. 1000 Years of Popular Music is culled from recordings of Thompson’s concert series of the same name, and beyond the novelty value of the set list (from the oldest round in the English language to Britney Spears in a mere 76 minutes!), it also offers a rare look at Thompson the interpretive musician, as well as lends a fascinating perspective on his musical influences. As one might expect, the early innings are dominated by the British folk tradition, with “King Henry V’s Conquest of France” and “Blackleg Miner” suggesting where Thompson’s melodic sense first took root, and other tunes demonstrating how operetta and the British music halls absorbed and refined similar themes. Thompson also indulges his passion for classic jazz of the 1930s and ’40s on some Nat King Cole and Louis Armstrong chestnuts, and wraps up by following rock & roll through Jerry Lee Lewis, the Who, and the Beatles to Prince and Britney Spears (“Oops! I Did It Again,” of which Thompson writes, “Taken out of context, this is a pretty nice song”). Considering that precious few of these songs were meant to be performed by a solo acoustic guitar, Thompson’s arrangements are inventive and effective; whether he’s going for laughs or drama, he gets the most from his material. (He’s also fortunat… |
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14 Songs $13.96 Paul Westerberg’s second solo LP (we all know the Replacements’ final All Shook Down was really not a band LP) is a damn sight better than his first, with a batch of really nice tunes and some renewed enthusiasm (it’s not as much of a downer); still, it’s hard to resist the belief that he’s capable of more than this. The fault is two-fold: One, fire co-producer Matt Wallace, who is more and more looming as the villain on Paul’s last three LPs. The most convincing recordings here are the two crude demos Westerberg set down alone in the kitchen of his house. His voice and tune devastate or kindle one’s inner emotions by themselves. Compare these naked pathos with the somewhat rote “Knockin’ on Mine” (a rip-off of Don’t Tell a Soul’s “Talent Show”) or the just-tossed-off “Things,” and it appears the lack of warmth in Wallace’s familiar sound is pulling Paul’s otherwise tremendous fervor down. Secondly, the first six Replacements’ LPs all had more convincing material than this, culminating in the terrific Pleased to Meet Me. When inspired, he can still recall some of those heights: “Dice Behind Your Shades” remembers that former intimacy and sharp hooks, as do bits of “First Glimmer,” “Runaway Wind,” and the attempts at old raucous pounders, “Silver Naked Ladies” and “World Class Fad.” But they all still fall short of his former one-in-a-zillion singer/songwriter greatness. In fact, what really saves him on this record is his singing — since the melodies and riffs are just good, not great, it takes a vocalist of his throaty gifts to deliver the pleasure. At times tender, sometimes who-gives-a-crap, other times amused or mildly sad and pensive, Westerberg makes us shower singers jealous over how much he can convey with just his pipes. All the more reason to record future albums by himself in his kitchen? Or how about Westerberg “unplugged” from his living room? Talent like this is always best raw, whether “Kids Won’t Follow” or “Never Mind” or “… |
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1959-1963 $119.98 While the first Flatt & Scruggs box on Bear Family documented the band’s development over its first 11 years — 1948-1959 — this set captures the band at the height of its meteoric rise to fame into the stuff of legend. First and foremost, Flatt & Scruggs eclipsed the fame of their mentor, Bill Monroe by having six charting singles in Billboard between the mid-’50s and 1960. They also got reviewed in Playboy and Downbeat magazines and began to play the Newport Folk Festival and appear on stages with Joan Baez, Cisco Houston, the Kingston Trio, New Christy Minstrels, Woody Guthrie, John Jacob Niles, and many others. Things began to heat up for Flatt & Scruggs in 1963, when they debuted the “Theme of Jed Clampett” for the new television comedy series The Beverly Hillbillies. This box contains six complete LPs recorded during those years, the complete edition of their concert at Carnegie Hall, and an album of square dancing fiddle tunes for which guitarist Merle Travis and fiddler Gordon Terry were added to the band. Over five CDs and 139 selections, the Flatt & Scruggs trek to superstardom is well documented. Their names became household for appearances on everything from the Ed Sullivan show to The Price Is Right. But most importantly, what Flatt & Scruggs accomplished during this period was extraordinary: They not only brought the American public at large to traditional country and bluegrass music from the Southern mountains; they also pushed the envelope on the bluegrass to places it literally would never have gone. Take a listen to their version of Doc Watson’s “I’m Troubled” from 1963, recorded just four days after the assassination of John F. Kennedy, the use of Buddy Harman’s drums on Guthrie’s “Hard Travelin” and “This Land Is Your Land,” or Maybelle Carter’s lead guitar on an entire program of Carter Family classics recorded in 1961. This is the sound of history in the making, of mountain music coming down from the mountain as the rest of the coun… |
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200 all-time show tunes $14.08 Used |
