Posts Tagged ‘mp3’

Show Tunes

Posted by admin on 26th September 2011 in music



Show Tunes

Acoustic Guitar Tuning

Acoustic guitar tuning is an essential part of any musician’s life. Guitars have a tendency of getting detuned which affects the sound quality. The best solution to this is to tune the guitar with the help of a tuning device that can turn the detuned strings of the guitar into producing a sound that is beautiful and lyrical. There are several methods of employing tuning in an acoustic guitar, depending on the kind of sound the musician wishes to produce. Most strings are tuned from the thickest to the thinnest. This kind of tuning is used mostly because it is the finest and easiest method employed for fingering numerous chords and scales.

Steps for Acoustic Guitar Tuning

There are many tuners available in the market today to assist in acoustic guitar tuning. These are available mainly because there are very few musicians who can recognize the sound of each string and tune it accordingly. The result is that the tuner helps the amateur ear from creating the wrong sound by correcting their tuning for them. The acoustic guitar tuning is corrected according to the instrument, once the right note is hit, the tuner blinks to display that the tuning is correct. Most tuning is done from thinnest to thickest string.

Things to Note in Acoustic Guitar Tuning

There are some steps that are important to note while tuning an acoustic guitar. This first is the tuning of the string E. This is the thickest string which makes it the most difficult to detune. Also, other instruments can also be tuned with the same steps that are employed for acoustic guitar tuning. Thus, music instruments like the piano can also be tuned once the proper methods of tuning the acoustic guitar are learned. The idea is to get the best sound, no matter what the instrument.

Precautions while Acoustic Guitar Tuning

There are certain precautions which need to be taken for acoustic guitar tuning. The size and material of the strings are important while tuning the guitar. Each kind of string and its length affect the tuning methods that are employed for the instrument. Also, guitar tuning is affected when the musicians are unable to stretch the string before it is used. The string itself must be tuned before it is attached to the guitar to give an optimum sound. With these safety measures employed, acoustic guitar tuning becomes an easy task

About the Author

Interested in learning more? Read more detailed writings about Acoustic Guitar Tuning right now. Visit our site for lots of great Guitar Tuning Notes Information.

Julie Andrews Sings Showtunes


Westland Giftware Looney Tunes Magnetic Taz in Love Salt and Pepper Shaker Set, 4-Inch


Westland Giftware Looney Tunes Magnetic Taz in Love Salt and Pepper Shaker Set, 4-Inch


$11.98


Taz is in love ! This cute salt and pepper shaker set will add a little humor to mealtime. Taz and his girlfriend have are simply smitten and also ready to add some zest to your favorite foods ! They are even magnetized. A terrific gift for your favorite Looney Tunes fan or collector….

Westland Giftware Looney Tunes Magnetic Bugs and Yosemite Sam Salt and Pepper Shaker Set, 4-1/4-Inch


Westland Giftware Looney Tunes Magnetic Bugs and Yosemite Sam Salt and Pepper Shaker Set, 4-1/4-Inch


$12.90


Looney Tunes Bugs Bunny Yosemite Sam Salt Pepper Shakers…

BEWARE OF THE SHOW TUNES FAN Coffee Mug in Metallic Colors


BEWARE OF THE SHOW TUNES FAN Coffee Mug in Metallic Colors



T-ShirtFrenzy offers over 30,000 designs on tons of products to offer millions of variations. You can search our store for something for everyone on your gift list or shop for yourself (our personal favorite). Please contact us with questions….


Wicked (2003 Original Broadway Cast)


Wicked (2003 Original Broadway Cast)


$10.82


Track Listings:No One Mourns the Wicked – Cristy CandlerDear Old ShizThe Wizard and I – Idina MenzelWhat Is This Feeling? – Kristin ChenowethSomething Bad – William YoumansDancing Through Life – Michelle FedererPopular – Kristin ChenowethI’m Not That Girl – Idina MenzelOne Short Day – Kristin ChenowethA Sentimental Man – Joel GreyDefying Gravity – Idina MenzelThank Goodness – Kristin ChenowethWond…

Looney Tunes - Golden Collection


Looney Tunes – Golden Collection


$34.99


LOONEY TUNES:GOLDEN COLLECTION VOL 1 – DVD Movie…

Toddler Favorites


Toddler Favorites


$3.55


Toddler Favorites was certified PLATINUM by the Record Industry Association of America (RIAA). The third in the successful Music For Little People Favorite Series, Toddler Favorites relates to color, movement and music. This sing-along combines the simplicity of rhythmic language with familiar tunes, helping children between the ages of 2 through 6 develop an early love of music. Toddler Favorites…

Easter Yeggs / Wabbit Twouble


Easter Yeggs / Wabbit Twouble


$1.99



I Dream Of Jesus


I Dream Of Jesus


$1.99



Richard Simmons Broadway Blast Off: A Get-Up-and-Go Workout


Richard Simmons Broadway Blast Off: A Get-Up-and-Go Workout


$1.50


Grap your warm-ups and get into position – it’s time for rehearsal! Some days, you just don’t have time to step into the spotlight for the whole show. That’s why I created with express routine – a 30 minute, high-energy aerobic program filled with even more wonderful Broadway show tunes and hot-cha sweatin’moves that will give your body a quick all-over workout. Wash That Man Right Out of Your Hai…

Ruby's Home Run/Ruby's Missing Tune/Ruby's Handstand


Ruby’s Home Run/Ruby’s Missing Tune/Ruby’s Handstand


$1.99




 #1's: The Warner Brothers Years


#1′s: The Warner Brothers Years


$11.99


There are a couple of statistics in the late Conway Twitty’s career that are rather astonishing: the first is that he scored 52 number one hits in the 30 years between 1958 and 1988. Just how astonishing can be illustrated this way: 52 number ones is more than the Beatles, more than Elvis Presley, and more than Frank Sinatra. The second — and what might appear minor in comparison but is actually more so — is that ten of them were between 1982 and 1988, near the end of his major-label recording career for Warner Bros. Twitty scored during every major change in the music, from honky tonk to countrypolitan to outlaw to urban cowboy to the dawn of the new traditionalist era. The true influence of Twitty has yet to be recognized, but he was a major player when country music was at its most invisible. In fact, it can be said that Conway was countrypolitan and made the whole mess cross over into the mainstream for the very first time. These ten tracks do not measure Twitty’s best work. But they do show he could sing any kind of song and put enough behind it to make it utterly believable. These ten tunes do contain a few real treasures, such as “I Don’t Know a Thing About Love (The Moon Song)” by Harlan Howard and the smash “Slow Hand” (that scored big for the Pointer Sisters in 1981, before Twitty cut it and remade it in his own image). Also here, from the Warner period, Twitty had the audacity to cut Amanda McBroom’s “The Rose,” a career-defining moment for Bette Midler as the title track for the 1979 film she starred in. The final number here, something written especially for Twitty, is “The Clown,” a ballad that showcases that rough but utterly tender baritone for all it’s worth. Conway Twitty was among the greatest singles artists in popular music history, and this collection is only a small sliver of the proof of that. ~ Thom Jurek, Rovi

 'Round Midnight


‘Round Midnight


$16.98


Of all the string instruments, the cello is the one that is most self-sufficient when heard en masse. Villa-Lobos knew it — his “Bachianas Brasileiras Nos. 1 and 5″ are the results — and The 12 Cellists of the Berlin Philharmonic have been proving it for some 30 years before the release of this album of American music of several stripes. No one needs to be told that this is a crossover special; after all, it has been released as a joint EMI Classics/Blue Note project. But this is no rah-rah album of patriotic pieties, for the CD explores the dark side of “America” as well as its soul-lifting show tunes, spirituals, and jazz tunes. Using all kinds of extended techniques that prod and scrape at the instruments, the opening “Caravan” sounds truly dangerous, capturing the dissonant strands that stick out of the Ellington 78 of the 1940s and have seldom been heard since. Bob Brookmeyer, the jazz trombonist/arranger/composer, surprises us all with “Amerika 2002: In Memoriam,” a troubled two-part meditation on the state of the union, inspired by the events of September 11. On the other hand, Leonard Bernstein’s “America” is turned into a neo-classical piece, while the “Pink Panther” theme emerges remarkably unchanged in its essential sneakiness. In what turned out to be the album’s principal coup, the cellists managed to persuade their new chief conductor, Sir Simon Rattle, to supply the “rap” for Sergio Cardenas’ hilarious “The Flower Is A Key (A Rap For Mozart).” Rattle obliges with his deep, mischievous Liverpudlian accent, putting his stamp on an album which serves notice that the tenures of Herbert von Karajan and Claudio Abbado at the Berlin Phil are going to look awfully stodgy in comparison to the Rattle era. ~ Richard S. Ginell, Rovi

 100 Graded Clarinet Solos


100 Graded Clarinet Solos


$21.31


Used – Each piece includes chord symbols in the concert key and is graded according to difficulty. Dip in to this phenomenal selection of popular songs, film themes, classical pieces and show tunes. This work includes songs such as: “Always On My Mind” by Elvis; “Angie” by Rolling Stones; “Bridge Over Troubled Water” by Paul Simon; “Dancing Queen” by Abba; “Don’t Know Why” by Norah Jones; “Good Vibrations” by The Beach Boys; “I Believe I Can Fly” by R. Kelly; “I Will Always Love You” by Whitney

 100 Graded Clarinet Solos (Dip in)


100 Graded Clarinet Solos (Dip in)


$21.31


New – Each piece includes chord symbols in the concert key and is graded according to difficulty. Dip in to this phenomenal selection of popular songs, film themes, classical pieces and show tunes. This work includes songs such as: “Always On My Mind” by Elvis; “Angie” by Rolling Stones; “Bridge Over Troubled Water” by Paul Simon; “Dancing Queen” by Abba; “Don’t Know Why” by Norah Jones; “Good Vibrations” by The Beach Boys; “I Believe I Can Fly” by R. Kelly; “I Will Always Love You” by Whitney H

 100 of the Best Show Tunes Ever!: Arranged for Piano, Voice and Guitar


100 of the Best Show Tunes Ever!: Arranged for Piano, Voice and Guitar


$32.18


Used – This work is a great selection of 100 of the best show songs ever, especially arranged for piano, voice and guitar. Featuring fabulous songs from your favourite shows including: “South Pacific”, “Phantom Of The Opera”, “Joseph And The Amazing Technicolor Dreamcoat”, “Miss Saigon”, “Aida”, “Oklahoma!”, “Les Miserables”, “Wicked”, “Godspell”, “Beauty And The Beast”, and many more! The songs include: “Cabaret”/”Cabaret”; “Luck Be A Lady”/”Guys & Dolls”; “Seasons Of Love”/”Rent”; “Getting To

 100 of the Best Show Tunes Ever!: Arranged for Piano, Voice and Guitar


100 of the Best Show Tunes Ever!: Arranged for Piano, Voice and Guitar


$32.18


New – This work is a great selection of 100 of the best show songs ever, especially arranged for piano, voice and guitar. Featuring fabulous songs from your favourite shows including: “South Pacific”, “Phantom Of The Opera”, “Joseph And The Amazing Technicolor Dreamcoat”, “Miss Saigon”, “Aida”, “Oklahoma!”, “Les Miserables”, “Wicked”, “Godspell”, “Beauty And The Beast”, and many more! The songs include: “Cabaret”/”Cabaret”; “Luck Be A Lady”/”Guys & Dolls”; “Seasons Of Love”/”Rent”; “Getting

 1000 Years of Popular Music


1000 Years of Popular Music


$28.98


As the year 2000 loomed on the horizon, Playboy Magazine took it upon itself to ask a number of leading musicians to name the greatest songs of the soon-to-be-completed millennium. One of the musos queried was Richard Thompson, and while many of his comrades couldn’t be bothered to go further back than 1940 in their overview of musical history, the scholarly Thompson took the notion seriously enough to extend his own list of notable songs as far back as 1068 A.D. While Playboy never ended up printing Thompson’s list, the notion made enough of an impression on him that he put together a special show in which he guided his audience through his own version of the greatest hits of the past ten centuries. 1000 Years of Popular Music is culled from recordings of Thompson’s concert series of the same name, and beyond the novelty value of the set list (from the oldest round in the English language to Britney Spears in a mere 76 minutes!), it also offers a rare look at Thompson the interpretive musician, as well as lends a fascinating perspective on his musical influences. As one might expect, the early innings are dominated by the British folk tradition, with “King Henry V’s Conquest of France” and “Blackleg Miner” suggesting where Thompson’s melodic sense first took root, and other tunes demonstrating how operetta and the British music halls absorbed and refined similar themes. Thompson also indulges his passion for classic jazz of the 1930s and ’40s on some Nat King Cole and Louis Armstrong chestnuts, and wraps up by following rock & roll through Jerry Lee Lewis, the Who, and the Beatles to Prince and Britney Spears (“Oops! I Did It Again,” of which Thompson writes, “Taken out of context, this is a pretty nice song”). Considering that precious few of these songs were meant to be performed by a solo acoustic guitar, Thompson’s arrangements are inventive and effective; whether he’s going for laughs or drama, he gets the most from his material. (He’s also fortunat…

 12 Bar Blues Bible


12 Bar Blues Bible


$67.22


12 Bar Blues Bible by Andrew D. Gordon Due to the overwhelming demand of my book “100 Ultimate Blues Riffs”, I decided to author another book solely on blues piano/keyboard playing. Most Blues tunes are made up of a 12 bar progression and I thought that a book that show the various types and styles of 12 bar blues progressions would be useful to musicians and students. The book includes over 50 examples that cover a range of styles, (blues, jazz-blues, minor-blues, funky-blues, country-blues, rock-blues, latin-blues, gospel-blues), tempos, rhythms and key signatures. There is a brief description, followed by each of the examples perfectly notated, along with the chord symbols. The latter part of the book contains a chapter on the “Basics Of Blues Improvisation” for anyone who is just starting out in the world of Improvising using the Blues as a starting point. At the end of the CD there are seven jam – along tracks, each about three minutes in length so that you may try out examples in the book or your own improvisational ideas along with a rhythm section of organ, bass and drums.

 14 Songs


14 Songs


$13.96


Paul Westerberg’s second solo LP (we all know the Replacements’ final All Shook Down was really not a band LP) is a damn sight better than his first, with a batch of really nice tunes and some renewed enthusiasm (it’s not as much of a downer); still, it’s hard to resist the belief that he’s capable of more than this. The fault is two-fold: One, fire co-producer Matt Wallace, who is more and more looming as the villain on Paul’s last three LPs. The most convincing recordings here are the two crude demos Westerberg set down alone in the kitchen of his house. His voice and tune devastate or kindle one’s inner emotions by themselves. Compare these naked pathos with the somewhat rote “Knockin’ on Mine” (a rip-off of Don’t Tell a Soul’s “Talent Show”) or the just-tossed-off “Things,” and it appears the lack of warmth in Wallace’s familiar sound is pulling Paul’s otherwise tremendous fervor down. Secondly, the first six Replacements’ LPs all had more convincing material than this, culminating in the terrific Pleased to Meet Me. When inspired, he can still recall some of those heights: “Dice Behind Your Shades” remembers that former intimacy and sharp hooks, as do bits of “First Glimmer,” “Runaway Wind,” and the attempts at old raucous pounders, “Silver Naked Ladies” and “World Class Fad.” But they all still fall short of his former one-in-a-zillion singer/songwriter greatness. In fact, what really saves him on this record is his singing — since the melodies and riffs are just good, not great, it takes a vocalist of his throaty gifts to deliver the pleasure. At times tender, sometimes who-gives-a-crap, other times amused or mildly sad and pensive, Westerberg makes us shower singers jealous over how much he can convey with just his pipes. All the more reason to record future albums by himself in his kitchen? Or how about Westerberg “unplugged” from his living room? Talent like this is always best raw, whether “Kids Won’t Follow” or “Never Mind” or “…

 200 all-time show tunes


200 all-time show tunes


$14.08


Used
 

Subscribe to our Newsletter