Parts Jazz
Posted by admin on 19th January 2012 in music
The Cry of Jazz (1959) Part 1 of 4
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Buddy Rich: Jazz Legend, Part 1 – 1917-1970 1 [VHS] $28.97 … |
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Drums & Percussions: Working It Out 1 [VHS] $39.95 … |
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Stagg Alto and Tenor Saxophone Stand $19.99 This simple and functional saxophone stand is ideal for tenor and alto saxophones. It features all metal construction, and the 3-legged base makes setup a snap! Whether you’re playing on stage, concert band, jazz band, or honing your skills at home, this stand provides a safe and reliable cradle for your instrument…. |
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Franz Viegener Jazz Roman Tub Faucet – Chrome with Gold Accents This Franz Viegener Jazz Roman Tub Faucet features sleek, contemporary lines, and has two control handles for precise water temperature control. Available in Chrome with Gold accents. Sale of this item is final; no returns. Solid brass construction. Available in Chrome with Gold accents. Overall spout height: 8″. 8-1/4″ spout reach. Faucet escutcheon diameter: 2-1/2″. Handle escutcheon diameter: 2… |
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Imperial Utah Jazz Licensed 40-Inch Rectangular Stained Glass Billiard Table Light $465.00 Customize your billiards room while also showing your team pride with this licensed table lamp. The 40-inch American-made lamp is made of antique-textured stained glass that’s color coordinated to the team colors, with the team logo screen-printed on the variety of bottom panels (14 in all). Plus, each piece of glass is hand cut and soldered into proper place with great care and precision, giving … |
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O Cedar Pro-Scrub Mop Refill, 10 Inch $4.45 O’CEDAR PRO SCRUB SPONGE ROLLER MOP REFILL *10″ *Grooved collectex sponge picks up 50% more dirt than ordinary plain sponge mops *25% more absorbent foam that absorbs even the finest dirt particles *Refill for Ace no. 10038… |
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378HJZ-00055 Hot Cup Paper – Jazz 8oz 50 Per Pack by Solo Cup Company -Part no. 378HJZ-00055 $8.20 … |
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Pride Jazzy 1113 Power Chair $3,450.00 The ultimate portable power chair, disassembles easily for transport. Big chair options on the most compact frame available. It combines patented mid-wheel drive performance and maneuverability with a turning radius of only 16.5 inches offering numerous seating options. The Jazzy 1113 combines performance, style and true portability. Features a fully programmable 50 amp VSI electronics system. Onb… |
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RegalTip – Calato E-Ser Jazz Nylon Tip $15.10 Regaltip – E Series – Jazz narrow taper; 16″ x .525″… |
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Apple Garageband Jam Pack: Rhythm Section $84.95 Apple GarageBand Jam Pack – Rhythm Section MA375Z/A Audio & Music Utilities… |
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17 Duets for Two Flutes $34.78 New – Performed by Hal McCusick, flute Join Hal McKusick in a “pop” collection of original student jazz duets. You can play either the top or bottom part in alternation with Hal. A challenge in close harmony playing. Includes a high-quality printed music book with both parts; and a CD containing accompaniments to both the minus 1st and minus 2nd duet parts. |
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17 Duets for Two Flutes $25.96 Used – Performed by Hal McCusick, flute Join Hal McKusick in a “pop” collection of original student jazz duets. You can play either the top or bottom part in alternation with Hal. A challenge in close harmony playing. Includes a high-quality printed music book with both parts; and a CD containing accompaniments to both the minus 1st and minus 2nd duet parts. |
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1964 Relic Jazz 4 String Bass (3 Tone Sunburst) $3499.99 The Fender64 Jazz Bass Relic features an alder body with a maple neck and a round laminate rosewood fingerboard. Other period-correct features include chrome hardware, vintage reverse tuning machines and a four-ply tortoise shell pickguard. A set of vintage Jazz Bass pickups deliver that authentic tone. Comes in a brown textured vinyl case and includes strap and cable. This bass has been givenFender's Relic treatmentbuilt to show years of natural wear and tear; with nicks, scratches, worn finish, rusty hardware and aged plastic parts. Includes deluxe case, strap, and cable.Features:Select Alder BodyMaple C Shape NeckRosewood FingerboardAged to resemble years or wear and tear2 Vintage Jazz Bass single coil pickupsVintage Style Reverse Tuners4-ply Tortoise Pickguard20 Vintage Style FretsNickel Chrome HardwareIncludes a Fender hardshell case, strap and cable |
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25 or 6 to 4 $35 Recorded by the group Chicago, this signature hit has gone on to become a rock classic. Paul’s easy arrangement is playable with very limited rehearsal time, but still has an authentic and hard-driving feel. Includes optional solos (or soli) for any sax and any brass instrument. |
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2Unes – Straight At You CD $17.79 2unes Straight @ You With “2unes” as your stage name, and if I were a betting woman, I would put money on the theory that jazz guitarist North Woodall can play his hind parts off. Mmmm, I’m fe… |
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3 $16.98 For their album 3, the self-proclaimed Godfathers of Groove mix it up a bit more within the soul-jazz arena, playing interpretations of pop tunes, some straight-ahead jazz, originals, and in essence the funky music that is at the core of their identities. Bassist Jerry Jemmott was the special guest on their previous album, but here it is the veteran jazz saxophonist Bill Easley, who plays on selected cuts with his usual professional verve, panache, and solid, fluid lines. Guitarist Grant Green, Jr. is coming into his own as heard more clearly, while organist Reuben Wilson and drummer Bernard Purdie continue to stake their estimable reputations on the chitlin circuit music they grew up with. When the band chooses to swing, as on the basic 12-bar groove “My Blues” with its fleet organ solo amidst Purdie’s shuffle beat, or the straight-ahead, uncomplicated, and simple “Down Hill” with Easley’s deft tenor leading the way, there’s little stopping them. A very, very, very slow take of “Stella by Starlight” gives Green Jr. an opportunity to emulate his famous father’s unmistakable snappy technique, pulled off the bone and well done. His singing, a bit gritty, crops up on versions of “Light My Fire” and “What’s Going On,” admirable but not a strong suit. Where Wilson shines is his ability to either shred solos and melodies, as on the head-nodding groove of the delightfully rendered “The Funkster” or on the solid-sending feed he provides during “Groove On” above Green’s overdubbed guitar parts. Of course, there is no more readily identifiable drummer than Purdie when he shakes and bakes the clockwork rhythms of “Monkey Milk,” in an Average White Band “Pick Up the Pieces” mode, or adds his personal and widely copied light contemporary funk to a modified version of “Autumn Leaves.” Purdie also proves he can swing with the best of jazz drummers, an aspect of his personality and career not always given due credit. This is a good recording with many high mo… |
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A Jazz-Inspired Christmas: Solo Piano Arrangements with Optional Bass and Drum Parts, Book & CD $14.99 Craig Curry,Paperback,Series: Sacred Performer Collections, English-language edition,Pub by Alfred Publishing Company, Inc. |
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A Little Night Music $45 It’s not very often that you see the name Mozart appears on a jazz chart! Mark Taylor cranks up the creative juices as he features a light samba groove on a familiar classical theme. Slipping into a swing style on occasion, this attractive setting features nicely scored ensemble passages, solos for tenor and drums, and a unison chorus for the full ensemble. |
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A Love Supreme $15.98 Easily one of the most important records ever made, John Coltrane’s A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane’s classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane’s spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, “Acknowledgement” is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, “Resolution,” an amazingly beautiful piece about the fury of dedication to a new path of understanding. “Persuance” is a search for that understanding, and “Psalm” is the enlightenment. Although he is at times aggressive and atonal, this isn’t Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. ~ Sam Samuelson, … |
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A Love Supreme $15.98 Easily one of the most important records ever made, John Coltrane’s A Love Supreme was his pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane’s classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped into the studio and created one of the most thought-provoking, concise, and technically pleasing albums of their bountiful relationship (not to mention his best-selling to date). From the undulatory (and classic) bassline at the intro to the last breathy notes, Trane is at the peak of his logical yet emotionally varied soloing while the rest of the group is remarkably in tune with Coltrane’s spiritual vibe. Composed of four parts, each has a thematic progression leading to an understanding of spirituality through meditation. From the beginning, “Acknowledgement” is the awakening of sorts that trails off to the famous chanting of the theme at the end, which yields to the second act, “Resolution,” an amazingly beautiful piece about the fury of dedication to a new path of understanding. “Persuance” is a search for that understanding, and “Psalm” is the enlightenment. Although he is at times aggressive and atonal, this isn’t Trane at his most adventurous (pretty much everything recorded from here on out progressively becomes much more free, and live recordings from this period are extremely spirited), but it certainly is his best attempt at the realization of concept — as the spiritual journey is made amazingly clear. A Love Supreme clocks in at just over 30 minutes, but if it had been any longer it could have turned into a laborious listen. As it stands, just enough is conveyed. It is almost impossible to imagine a world without A Love Supreme having been made, and it is equally impossible to imagine any jazz collection without it. ~ Sam Samuelson, … |
Parts Jazz | Sheet Music and Song Books – just great!